Publishing Credits
Poetry
* "the only colors left were blood and earth and still I dreamed of water" featured by Poetry Daily* "Changeling" in Nat. Brute Blood and Water Folio * "Drafted under the influence of someone else's desire" in Spoon River Review * "PINK" in beestung * "Parallel" in Iron Horse Review * "Rapture" in South Dakota Review * "the only colors left were blood and earth and still I dreamed of water" in South Dakota Review * "Heliacal Rising" in South Dakota Review * “a field guide for bats" in Roanoke Review * “if a girl" in Roanoke Review * “Another Moon Poem" in Glassworks * "imagine all this set to a sonata" in Lumiere * "paint me like one of your drowned girls" in Gingerbread Review * "an interview with cthulhu's daughter;bright ravenous about their upcoming album" in Defunct Magazine * "imagine | a boy you don't love and who doesn't love you" in Portland Review * “a musician walks into a livestream, greets all his viewers as his lovers" in Up the Staircase * “a fly on the wall of Picasso's studio" in Landlocked * “radium girl, promise you won't live forever" in Lumiere *
“it's christmas in anne boleyn's throat" in Ninth Letter * “Deer Lord / Dear Lord" in Longleaf Review * “I want to be elder wood when I go" in Spoon River Review * “Another Moon Poem (the moon doesn't want you to love her)" in Spoon River Review * “Baptized in Rock Lake we emerge black-brined, but more holy" in Spoon River Review * “Matryoshka" in Cumberland River Review * “Jamais Vu" in Landlocked * “Jargon" in McNeese * “Yolk is only of value if you are hungry” in McNeese * “Deus Ex Machina” in Yemassee * “You're not supposed to pet the dogs of Chernobyl” in Glass * “Cannon-Shot Stars” in The Rubbertop Review * “Pseudocyesis” in The Laurel Review * “Harbinger; Augury; Oracle; Omen” in The Laurel Review * “Cootie Catcher” in The Evansville Review * “Bone Terrarium” in The Atticus Review * “I'd think of a pretty metaphor, but instead I think I'll just come out and say" in QU * “Heavenly Bodies” in Glass * “The Ley-Lines of Palmistry” in Roanoke Review * “Afterbirth” in Roanoke Review * “Apollo 10: The Dark Side Tapes” in Flapper House * “Blame it on the Moon” in Flapper House * “The Ammi Wright House, Circa 1888” in Flapper House * “At the witching market” in Figroot Press * “Bride Body: Memento Mori” in Figroot Press * “We ate reservoir fish” in Rust+Moth * “In Forests We Haven't Bothered to Name” in Barrelhouse * “Anamnesis” in Gingerbread House * “Abandoned Bodies and Farmhouses” in Timber * “Main Street Under the Shell of Burnt Out Homesteads” in Timber * “Houses and Half-Done Things” in Hypertrophic Lit * “Sandcastles for the Water Moccasin” in Hypertrophic Lit * “Ignorance: The Hornbook” in Maudlin House * "David was a woman’s name, the history books forgot” in Crab Fat * “I’ve never seen the ocean, but I can eulogize it” in Crab Fat * “The Oxford, Ohio Decency Code” in Crab Fat * “Soothsaying” in Rat’s Ass Review * “Where is the Lamb” in Rat’s Ass Review * “Live Things in You” in Glassworks * “The Air Tastes of Earthworms, Rain that Never Came” in Glassworks * “Fortunes” in Stone Coast Review Summer * “On the Corner of Rue and Pine” in Paper Nautilus *
Fiction and Flash
* "a surplus of daughters" in Molotov Cocktail Folked-Up Flash Issue * “a person; a tree; a hauntable object" in Pidgeon Holes * “Sappho and Sappho and I, Sappho" in Longleaf Review * “past and future voltas" in Up the Staircase * “A prayer between mother and the moon" in Cosmonauts Avenue * “Stillwell Jr. High School, 1919” in Midwestern Gothic*
Contests, Nominations, and Awards
*Irina Ratushinskaya Freedom Award 2015 * Pushcart Prize Nominee for “Anamnesis” in Gingerbread House 2017 *Semi-finalist for Midwestern Gothic’s Summer 2017 Third Round Flash Fiction Contest for “Stillwell Jr. High School, 1919” * Best of the Net Nominee 2020 for "Jamais Vu" from Landlocked * Best of the Net Nominee 2021 for "past and future voltas" in Up the Staircase * Pushcart Prize Nominee for "Deer Lord/Dear Lord" in Longleaf Review Harvest Issue Nov. 2020 * Best Small Fictions 2020 Nominee for "Sappho and Sappho and I, Sappho" in Longleaf Review * Semifinalist for the collection Spoon for a Sparrow a Wolf a Girl for Autumn House Press' Rising Writer Prize * Best New Poet 2021 Nominee for "Matryoshka" in Cumberland River Review * Gasher First Book Scholarship Finalist for Spoon for a Sparrow a Wolf a Girl *Molotov Cocktail's Folked-Up Flash Contest 3rd Place Winner for "a surplus of daughters" * Best Microfiction Nominee for "a person; a tree; a hauntable object" from Pidgeon Holes *
Anthologized Works
* "deer lord / dear lord" in Milk and Cake Press' Dead of Winter Anthology * "a surplus of daughters" in Molotov Cocktail's Prize Winner Anthology * "the only colors left were blood and earth and still I dreamed of water" featured by Poetry Daily*
Book Reviews and Interviews
"Haunting and Hunger: A Review of Gods of Want" by K-Ming Chang" in Heavy Feather Review
"Creating a Possible Self: A Review of Beast at Every Threshold by Natalie Wee" in Heavy Feather Review
"Maternal Monsters: A Review of Shapeshifting by Michelle Ross" in Heavy Feather Review
"A Modern Orpheus : A Review of Space Struck by Paige Lewis" in The Adroit Journal
A Conversation with Gillian Cummings in The Adroit Journal
Still Life of Two Dead Peacocks and a Girl Book Review in The Adroit Journal
Everyone At This Party Has Two Names Book Review in the Mid-American Review
Antidote for the Night Book Review in the Mid-American Review
Double Jinx Book Review in the Mid-American Review
The Genome Rhapsodies Book Review in the Mid-American Review
Presentations, Workshops, and Readings
Rubbish Bin Angel at the Sigma Tau Delta National Conference Spring 2013
The Mad Women of White Teeth at the Sigma Tau Delta Regional Conference Summer 2013
Pawn Shop Writers' Workshop at Winter Wheat Writer’s Festival Fall 2014
Emotional Furniture Writers' Workshop at Winter Wheat Writer’s Festival Fall 2015
Giving Snow White the Heimlich Maneuver Writers' Workshop at Winter Wheat Writer’s Festival Fall 2016
Architectural Follies Writers' Workshop at Winter Wheat Writer’s Festival Fall 2016
Writing from the Deep: Deep Sea, Deep Space, and the Dark Places of the Human Imagination at Winter Wheat Writer’s Festival Fall 2017